The Liberal: The Text Resources

Resources

MEMOIRS, RECOLLECTIONS, LETTERS AND JOURNALS

BENNETT, Betty T. and SHELLEY, Mary (2001). “‘The Science of Letters’: Six Unpublished Mary Shelley Letters”, in Keats-Shelley Journal, 50, 27-34.

BYRON, George Gordon, Lord (1973-94). Lord Byron’s Letters and Journals, ed. Leslie A. Marchand, 13 vols, London, John Murray.

BYRON, George Gordon, Lord (1980-93). The Complete Poetical Works, ed. Jerome J. McGann, 7 vols, Oxford, Clarendon Press.

CLAIRMONT, CLAIRE (1968). The Journals of Claire Clairmont, ed. Marion Kingston Stocking, Cambridge, Harvard University Press.

CLAIRMONT, Claire (1995). The Clairmont Correspondence, ed. by Marion Kingston Stocking, Baltimore - London, Johns Hopkins University Press.

GATES, Eleanor M. (1998). Leigh Hunt: A Life in Letters – Together with Some Correspondence of William Hazlitt, Essex, Falls River Publications.

HALL MCCORMICK, Eric (1989). The Friend of Keats: A Life of Charles Armitage Brown, Wellington, Victoria University Press.

HAZLITT, William (1826). “On the Jealousy and the Spleen of Party”, originally published in The Plain Speaker, collected in The Complete Works of William Hazlitt, ed. Percival Presland Howe, 21 vols, vol. 12, 365-82.

HOGG, Thomas Jefferson (1858). The Life of Percy Bysshe Shelley, 4 vols, London, Edward Moxon

HUNT L. (1862) The Correspondence of Leigh Hunt, ed. T. Hunt, 2 vols., London: Smith, Elder and Co.

HUNT L. (1923) The Poetical Works of Leigh Hunt, ed. H. S. Milford, Oxford and New York: Oxford UP.

HUNT L. (1938) My Leigh Hunt Library: The Holograph Letters, ed. L. A. Brewer, Iowa City, Iowa: U of Iowa P.

HUNT L., (1860) The Poetical Works of Leigh Hunt, now Finally Collected, Revised by himself, and Edited by his son, Thornton Hunt, ed. T. Hunt, London: Routledge, Warne, and Routledge.

HUNT, Leigh (1828). Lord Byron and Some of His Contemporaries, London, Henry Colburn.

HUNT, Leigh (1831).  “Lord Byron – Mr Moore – and Mr Leigh Hunt”, originally published in The Tatler, collected in Leigh Hunt’s Literary Criticism, ed. L.H. and C.W. Houtchens, New York, Columbia University Press, 1956, 302-43.

HUNT, Leigh (1850). The Autobiography of Leigh Hunt, 3 vols, London, Smith, Elder & Co. (annotated edition by Timothy Webb, Oxford University Press, forthcoming).

HUNT, Leigh (2003). Leigh Hunt: Poetical Works, ed. John Strachan, 2 vols, London, Pickering and Chatto.

KUCICH, Greg, COX, Jeffrey N., Morrison, Robert, Mahoney, Charles and Strachan, John [eds] (2003), The Selected Writings of Leigh Hunt, 6 vols, London and Brookfield, Pickering & Chatto.

MARSHALL, Julian (1889). The Life and Letters of Mary Wollstonecraft Shelley, London, Richard Bentley & Son.

MARSHALL, William. H. and HUNT, Leigh (1960). Three New Leigh Hunt Letters, in Keats-Shelley Journal, 9, 115–123.

MEDWIN, Thomas (1966). Medwin’s Conversations of Lord Byron, ed. Ernest J. Lovell, Jr., Princeton, Princeton University Press.

MOORE, Thomas (1830). Letters and Journals of Lord Byron, with Notices of His Life, 2 vols, London, John Murray.

SCHOINA, Maria (2020). “Thomas Jefferson Hogg to Mary Wollstonecraft Shelley: An Unpublished Holograph Letter”, in Notes and Queries, 67 (1), March 2020, 93-99.

SHELLEY, Mary (1840). Essays, Letters from Abroad, Translations and Fragments, ed. Mary Shelley, 2 vols, London, Moxon.

SHELLEY, Mary (1980), The Letters of Mary Wollstonecraft Shelley, ed. B. T. Bennett, 3 vols, Baltimore and London, The Johns Hopkins University Press.

SHELLEY, Mary (1987). The Journals of Mary Shelley, 1814–1844, ed. Paula R. Feldman and Diana Scott-Kilvert, 2 vols, Oxford, Clarendon Press.

SHELLEY, Percy (1839). The Poetical Works of Percy Bysshe Shelley, ed. Mary Shelley, 4 vols, London, Moxon.

SHELLEY, Percy Bysshe (1914). The Letters of Percy Bysshe Shelley, ed. R. Ingpen, 2 vols, London, Bell and Sons.

SHELLEY, Percy Bysshe (1964). The Letters of Percy Bysshe Shelley, ed. F. L. Jones, 2 vols, Oxford, Clarendon Press.

STILLINGER, Jack [ed.] (1966). The Letters of Charles Armitage Brown, Cambridge, Harvard University Press.

TRELAWNY, Edward John (1858). Recollections of the Last Days of Shelley and Byron, London, Edward Moxon.

TRELAWNY, Edward John (1973). Records of Shelley, Byron, and the Author, ed. David Wright, Harmondsworth, Penguin.

CONTEMPORARY REACTIONS TO THE LIBERAL

ANON. (1822). “Court, Fashionables, &c.”, The Windsor and Eton Express and General Advertiser, 12 Jan., 3.

ANON. (1822). “Literary Notices.”, The Gazette of Fashion, and Magazine of Literature, the Fine Arts, and Belles Lettres, 5, 83.

ANON. (1822). “Letters to the Readers of the Examiner. No. 1.”, The Examiner, 748, 329–30.

ANON. (1822). “Letter from London.”, Blackwood’s Edinburgh Magazine, XI, 237.

ANON. (1822). “London Chit-Chat.”, Blackwood’s Edinburgh Magazine, XI, 331.

ANON. (1822). “Noctes Ambrosianae. No. I.”, Blackwood’s Edinburgh Magazine, XI, 363–64.

ANON. (1822). “Critique on Lord Byron.”, Blackwood’s Edinburgh Magazine, XI, 460.

ANON. (1822). “Letter from Paddy.”, Blackwood’s Edinburgh Magazine, XI, 463.

ANON. (1822). “Cambridge Pamphlets.”, Blackwood’s Edinburgh Magazine, XI, 740–41.

ANON. (1822). “Percy Bysshe Shelley, Esq.”, The Gentleman’s Magazine, XCII, pt. 2, 283.

ANON. (1822). “The Liberal. The New Periodical Work from Italy.”, The Gentleman’s Magazine, XCII, pt. 2, 348–51.

ANON. (1822). “Shelley’s Obituary.”, John Bull, 87, 693.

ANON. (1822). “Biography.”, The Literary Chronicle and Weekly Review, 169, 504.

ANON. (1822). “The Liberal.”, The British Luminary and Weekly Intelligencer, 212, 754.

ANON. (1822). “The Liberal.”, The Albion, or British, Colonial, and Foreign Weekly Gazette, 27, 214–15.

ANON. (1822). “The Liberal.”, The Courier, 9,677, 2–3.

ANON. (1822). “Rejected Addresses … by L. B.”, The Bard, 11.

ANON. (1822). “Literary Notices.”, The Windsor and Eton Express and General Advertiser, 26 Oct., 3.

ANON. (1822). “Review of the First Liberal.”, John Bull, 98, 780–81.

ANON. (1822). “Libel.”, The Morning Chronicle, 25 Oct., 3.

ANON. (1822). “Rhyme and Reason.”, The Morning Chronicle, 26 Oct., 3.

ANON. (1822). “Inuendos.”, The Morning Chronicle, 29 Oct., 3.

ANON. (1822). “The Liberal: Verse and Prose from the South. No. I.”, The Examiner, 768, 648–52.

ANON. (1822). “Concerning Byron’s Letter to Murray.”, The Examiner, 770, 679.

ANON. (1822). “Odious Cant—George the Third and Lord Castlereagh.”, The Examiner, 771, 689–91.

ANON. (1822). “The Secret of Over-Acted Zeal.”, The Examiner, 771, 693.

ANON. (1822). “The Liberal.”, The Examiner, 771, 697.

ANON. (1822). “Odious Cant—George the Third and Lord Castlereagh.”, The Examiner, 772, 705–7.

ANON. (1822). “Prosecution of The Liberal.”, The Examiner, 777, 789–90.

ANON. (1822). “Report of the Prohibition of The Liberal by the French Government.”, The Examiner, 778, 812.

ANON. (1822). “The Liberal. No. II.”, The Examiner, 779, 818–22.

ANON. (1823). “Heaven and Earth, A Mystery.”, Blackwood’s Edinburgh Magazine, XIII, 72–77.

ANON. (1822). A Critique on “The Liberal.” London, William Day.

ANON. (1823). “Printing of the Indictment.”, The Examiner, 780, 5–6.

ANON. (1823). “The Liberal, Number II.”, St. James’s Chronicle, 10,164, 2.

ANON. (1823). “Lord Byron and Thomas Moore.”, The Times, 11,759, 3.

ANON. (1823). “The Loves of the Angels.”, John Bull, 109, 14.

ANON. (1823). “Warning against a Pirated Edition of ‘The Vision of Judgment.’”, The Examiner, 782, 64.

ANON. (1823). “Epitaph for Robert Southey, Esq.”, Paris Monthly Review of British and Continental Literature, 12, 578.

ANON. (1823). “The Liberal, No. II.”, The Literary Museum, 37, 1–3.

ANON. (1823). “The Liberal.”, The Gentleman’s Magazine, XCIII, pt. 2, 256.

ANON. (1823). “Moore’s ‘Loves of the Angels’ and Byron’s ‘Heaven and Earth.’”, The Edinburgh Review, XXXVIII, 27–48.

ANON. (1823). “The Island.”, The British Critic, XX, 16–22.

ANON. (1823). “Don Juan. Cantos VI–VIII.”, The British Critic, XX, 179.

ANON. (1823). “Don Juan. Cantos XII–XIV.”, The British Critic, XX, 663.

ANON. (1823). “More Indictments.”, The Examiner, 798, 305–7.

ANON. (1823). “Review of the Third Liberal.”, John Bull, 125, 141–42.

ANON. (1823). “The Liberal, No. III.”, The Literary Museum, 53, 257–59.

ANON. (1823). “The Liberal, No. IV.”, The Literary Examiner, 4, 49–58.

ANON. (1823). “Brief Comment upon the Fourth Liberal.”, John Bull, 138, 245.

ANON. (1823). “The Liberal, No. IV.”, The Literary Museum, 67, 486–88.

ANON. (1823). “Newspaper Chat.”, The Examiner, 814, 569.

ANON. (1823). “Don Juan. Cantos VI–VIII.”, John Bull, 142, 280.

ANON. (1823). “The Cockney’s Letter.”, John Bull, 146, 309.

BROOKE, Arthur (1822). “Elegy on the Death of Percy Bysshe Shelley.”, The Gentleman’s Magazine, XCII, pt. 2, 623.

GIFFORD, William (?) (1822). The Illiberal! Verse and Prose from the North!!. London, Printed by G. Morgan.

EDITED BOOKS AND MONOGRAPHS

BUGLIANI, Paolo and DEL GRAZIA, Camilla [eds] (2025). The Liberal. Romantici inglesi a Pisa, Pisa, ETS.

CRISAFULLI, Lilla Maria, FARESE, Carlotta and BAIESI, Serena [eds] (2022). Imprinting Anglo-Italian Relations in The Liberal, New York and Oxford, Peter Lang.

MARSHALL, William H. (1960). Byron, Shelley, Hunt, and The Liberal, Philadelphia, University of Pennsylvania Press.

PICKERING, Leslie (1925). Lord Byron, Leigh Hunt and the ‘Liberal’, London, Drane’s.

ARTICLES AND BOOK CHAPTERS

ALLEGRANTI, Barbara (2025). “The Liberal: romantici e altri libri nella Biblioteca di Delio Cantimori”, in The Liberal. Romantici inglesi a Pisa, eds Paolo Bugliani and Camilla Del Grazia, Pisa, ETS, pp. 49-74.

ANGELETTI, Gioia (2022). “Domestica facta Recollected in Italy: Byron and The Liberal”, in Imprinting Anglo-Italian Relations in The Liberal, ed. Lilla Maria Crisafulli, Carlotta Farese and Serena Baiesi. New York and Oxford, Peter Lang, pp. 141-160.

BAIESI, Serena (2022). “Politics, Literature, and Leigh Hunt’s Editorial Spirit in The Liberal”, in Imprinting Anglo-Italian Relations in The Liberal, ed. Lilla Maria Crisafulli, Carlotta Farese and Serena Baiesi. New York and Oxford, Peter Lang, pp. 89-114.

BAIESI, Serena (2025). “Leigh Hunt, The Liberal e Pisa: incontri, impressioni e incroci culturali romantici”, in The Liberal. Romantici inglesi a Pisa, eds Paolo Bugliani and Camilla Del Grazia, Pisa, ETS, pp. 103-124.

BAIESI, Serena and FARESE, Carlotta (2022). “Preface: Imprinting Anglo- Italian Relations in The Liberal”, in Imprinting Anglo-Italian Relations in The Liberal, ed. Lilla Maria Crisafulli, Carlotta Farese and Serena Baiesi. New York and Oxford, Peter Lang, pp. 7-14.

BLUNDEN, Edmund (1951). “The Liberal”, in Studies in English Literature, 27:2, 143-152.

BRACK, O. M. Jr. (1966). “Lord Byron, Leigh Hunt and The Liberal: Some New Evidence”, Books at Iowa, 4.1, pp. 36–38.

BUGLIANI Paolo e DEL GRAZIA, Camilla (2025). “The Liberal a Pisa, The Liberal e Pisa”, in The Liberal. Romantici inglesi a Pisa, eds Paolo Bugliani and Camilla Del Grazia, Pisa, ETS, pp. 5-12.

CAPUTO, Nicoletta (2025). “The Liberal…e oltre: il liberalismo femminile di Mary Shelley”, in The Liberal. Romantici inglesi a Pisa, eds Paolo Bugliani and Camilla Del Grazia, Pisa, ETS, pp. 125-149.

CRAIG, David M. (2012). “The Origins of ‘Liberalism’ in Britain: The Case of The Liberal”, in Historical Research, 85:229, 469-87.

CRISAFULLI, Lilla Maria (2022). “Introduction: Historical and Social Environment of The Liberal”, in Imprinting Anglo-Italian Relations in The Liberal, ed. Lilla Maria Crisafulli, Carlotta Farese and Serena Baiesi. New York and Oxford, Peter Lang, pp. 15-34.

CRISAFULLI, Lilla Maria (2022). “What’s in a Name? Shelley, the South, and The Liberal”, in Imprinting Anglo-Italian Relations in The Liberal, ed. Lilla Maria Crisafulli, Carlotta Farese and Serena Baiesi. New York and Oxford, Peter Lang, pp. 51-88.

CRISAFULLI, Lilla Maria (2025). “The Liberal, il contesto storico, i romantici inglesi e i salotti pisani”, in The Liberal. Romantici inglesi a Pisa, eds Paolo Bugliani and Camilla Del Grazia, Pisa, ETS, pp. 13-33.

DELLAROSA, Franca (2022). “Cockney Imprint: The Liberal and Its Reception, 1822”, in Imprinting Anglo-Italian Relations in The Liberal, ed. Lilla Maria Crisafulli, Carlotta Farese and Serena Baiesi. New York and Oxford, Peter Lang, pp. 35-50.

ELLEDGE, Paul W. (1983). “The Liberal”, in British Literary Magazines: The Romantic Age, 1789-1836, ed. Alvin Sullivan, Westport, Greenwood Press, 220-27.

FARESE, Carlotta (2022). “Back to the Future: The Liberal from Romanticism to Postmodernism: An Interview with Benjamin Rammin”, in Imprinting Anglo-Italian Relations in The Liberal, ed. Lilla Maria Crisafulli, Carlotta Farese and Serena Baiesi. New York and Oxford, Peter Lang, pp. 237-259.

FRANKLIN, Caroline (2000). “The Eagle, the Wren, and the Snake: Byron and The Liberal”, in Byron: A Literary Life, Basingstoke, Macmillan, 152-76.

FRANKLIN, Caroline (2005). “Cosmopolitanism and Catholic Culture: Byron, Italian Poetry, and The Liberal”, in British Romanticism and Italian Literature: Translating, Reviewing, Rewriting, ed. Laura Bandiera and Diego Saglia, Amsterdam, Rodopi, 255-68.

GROSS, Jonathan D. (1993). “Byron and ‘The Liberal’: Periodical as Political Posture”, in Philological Quarterly, 72:4, 471-85, later revised as Chapter 7 of Byron: The Erotic Liberal, Lanham, Rowman & Littlefield, 2001, 153-70.

HAY, Daisy (2008). “Liberals, Liberales and The Liberal: A Reassessment”, European Romantic Review, 19:4, 307-20.

HESSELL, Nikki (2012). “Elegiac Wonder and Intertextuality in the Liberal”, Romanticism, 18:3, 239-49.

LIBERTO, Fabio (2022). “The ‘united voice of Italy’: The Liberal and Mary Shelley’s ‘A Tale of the Passions’”, in Imprinting Anglo-Italian Relations in The Liberal, ed. Lilla Maria Crisafulli, Carlotta Farese and Serena Baiesi. New York and Oxford, Peter Lang, pp. 203-236.

MACGREGOR MORRIS, Ian (2021). “The Pisan Triumvirate: The Libertine, The Atheist and The Liberal”, Journal of Liberal History, 110, 32-45.

MANFREDI, Marco (2025). “Una città della Restaurazione: Pisa al tempo di Shelley”, in The Liberal. Romantici inglesi a Pisa, eds Paolo Bugliani and Camilla Del Grazia, Pisa, ETS, pp. 13-34.

ROBINSON, Charles E. (2015). “Hazlitt and Byron: With a New Look at The Liberal”, in Publishing, Editing, and Reception: Essays in Honor of Donald E. Reiman, ed. Michael Edson, Newark, University of Delaware Press, 25-41.

SAGLIA, Diego (2025). “‘In some Town of Italy’: The Liberal, dimensioni geoideologiche e contro-performance del discorso liberale”, in The Liberal. Romantici inglesi a Pisa, eds Paolo Bugliani and Camilla Del Grazia, Pisa, ETS, pp. 75-102.

SCHOINA, Maria (2013). “Byron and The Liberal: A Reassessment”, in Literaria Pragensia, 23:46, 23-37.

SCHOINA, Maria (2020). “The Pisan Circle and the Cockney School”, in Byron in Context, ed. Clara Tuite, Cambridge, Cambridge University Press, 214-21.

SCHOINA, Maria (2022). “‘With flowing rhymes, a pleasant style and free’: Byron’s Translation of Pulci’s Morgante Maggiore”, in Imprinting Anglo-Italian Relations in The Liberal, ed. Lilla Maria Crisafulli, Carlotta Farese and Serena Baiesi. New York and Oxford, Peter Lang, pp. 161-178.

SPANDRI, Elena (2022). “William Hazlitt and the Ironies of Liberalism”, in Imprinting Anglo-Italian Relations in The Liberal, ed. Lilla Maria Crisafulli, Carlotta Farese and Serena Baiesi. New York and Oxford, Peter Lang, pp. 179-202.

STABLER, Jane (2015). “Religious Liberty in the ‘Liberal’”, web-based article on BRANCH: Britain, Representation and Nineteenth Century History, ed. Dino F. Felluga (extension of Romanticism and Victorianism on the Net) (https://branchcollective.org/?ps_articles=jane-stabler-religious-liberty-in-the-liberal).

STEIER, Michael (2019). “Byron and Hunt in Italy: The Art of The Liberal”, in Byron, Hunt, and the Poetics of Literary Engagement, New York, Routledge, 164-204.

TESTORI, Alessia (2025). “‘A New Race or Sect among Our Countrymen’: The Liberal and the Un/Making of an Anglo-Italian Identity”, in ed. Davide Di Maio, Romanticismo e Pubblicistica, Romanticismi: La Rivista del C.R.I.E.R., 187–207.

VARINELLI, Valentina (2023). “Mary Shelley, Byron, Hunt e la nascita della rivista The Liberal (1822–23)”, Atti della Accademia Ligure di Scienze e Lettere, Serie VII, vol. V, Genova, Accademia Ligure di Scienze e Lettere, 658-672.

WEBB, Timothy (2022). “‘Letters from Abroad’: Leigh Hunt and the Traveller’s Epistle”, in Imprinting Anglo-Italian Relations in The Liberal, ed. Lilla Maria Crisafulli, Carlotta Farese and Serena Baiesi. New York and Oxford, Peter Lang, pp. in Imprinting Anglo-Italian Relations in The Liberal, ed. Lilla Maria Crisafulli, Carlotta Farese and Serena Baiesi. New York and Oxford, Peter Lang, pp. 115.140.

WOODHOUSE, David (2019). “Hazlitt and Byron: Hereditary Prejudices and Liberal Sympathies”, in The Hazlitt Review, 12, 37-60.

OTHER RELEVANT WORKS

About Contributors 

BEATON, Roderick (2019). “‘The lightning of the nations’: Byron, the Shelleys and Spain”, in Romanticism, Reaction and Revolution: British Views on Spain, 1814-23, ed. Bernard Beatty and Alicia Laspra-Rodríguez, Oxford, Peter Lang, 111-27.

BLAINEY, Ann (1985). Immortal Boy: A Portrait of Leigh Hunt, Abingdon, Routledge.

BUTLER, Marilyn (1981). “The Cult of the South: The Shelley Circle, its Creed and its Influence”, in Romantics, Rebels & Reactionaries: English Literature and its Background, 1760-1830, Oxford, Oxford University Press, 113-37.

BUXTON, John (1968). Byron and Shelley: The History of a Friendship, London, Macmillan.

CHIARINI, Giuseppe (1900). “Lord Byron e Teresa Guiccioli” (1855), in Studi e ritratti letterari, Livorno, Giusti, 435-461.

CLINE, Clarence Lee (1952). Byron, Shelley and their Pisan Circle, Cambridge, Harvard University Press.

CRISAFULLI, Lilla Maria (2013). “Viaggiatrici britanniche nell’Italia pre-risorgimentale: lo sguardo riformatore di Lady Morgan e di Mary Shelley”, in British Risorgimento. L’unità d’Italia e la Gran Bretagna, a cura di Lilla Maria Crisafulli, Napoli, Liguori, 81-98.

CRISAFULLI, Lilla Maria (2023). “Introduction: Historical and Social Environment of The Liberal”, in Imprinting Anglo- Italian Relations in The Liberal, ed. by L. M. Crisafulli, S. Baiesi and C. Farese, Bern, Peter Lang, 15-34.

CURRELI, Mario [ed.] (1985). Grandi soggiorni: Paradise of Exiles: Catalogo della mostra di stampe, ritratti, manoscritti, cimeli e documenti rari e inediti sul soggiorno di Shelley e Byron a Pisa, Pisa, Pacini.

D’AMICO, Masolino (1989). Lord Byron. Vita attraverso le lettere, Torino, Einaudi.

EBERLE-SINATRA, Michael (2005). “1821-1828”, in Leigh Hunt and the London Literary Scene: A Reception History of His Major Works, 1805-1828, London, Routledge, 92-124. 

FOOT, Michael (1988). The Politics of Paradise: A Vindication of Byron, London, Collins.

GALT, John (1830). The Life of Lord Byron, London: Colburn and Bentley.

GROSS, Jonathan (2001). Byron: The Erotic Liberal, Lanham, Rowman and Littlefield.

HAEFNER, Joel (1993). “Pressures of the Marketplace: John Hunt’s Editorial Philosophy and Strategies, 1805–1831”, Victorian Periodicals Review, 26.2, pp. 92–100.

HAYWOOD, Ian. (2016). “Hazlitt and the Monarchy: Legitimacy, Radical Print Culture, and Caricature”, The Hazlitt Review, 9, pp. 5–26.

HIGGINS, David (2005). “William Hazlitt and the Degradation of Genius”, in Romantic Genius and the Literary Magazine: Biography, Celebrity, Politics, Abingdon, Routledge, 90-126.

HOLDEN, Anthony (2005). The Wit in the Dungeon: A Life of Leigh Hunt, Boston, Little Brown.

KILGOUR, Alexander (1825). Anecdotes of Lord Byron, from Authentic Sources; with Remarks Illustrative of his Connection with the Principal Literary Character of the Present Day, London: Knight and Lacey.

KUCICH, Greg (2004). “Keats, Shelley, Byron, and the Hunt Circle”, in The Cambridge Companion to English Literature, 1740–1830, ed. Thomas Keymer and Jon Mee, Cambridge, Cambridge University Press, 263–79.

MACCARTHY, Fiona (2002). Byron: Life and Legend, London, John Murray.

MERCER, Anna (2019). The Collaborative Literary Relationship of Percy Bysshe Shelley and Mary Wollstonecraft Shelley, New York, Routledge.

MILLER, Barnett (1910). Leigh Hunt’s Relations with Byron, Shelley and Keats, Lancaster, New Era Printing Company.

MOLE, Tom (2007). Byron’s Romantic Celebrity: Industrial Culture and the Hermeneutic of Intimacy, London, Palgrave Macmillan.

MOORE, Doris L., The Late Lord Byron: A Biography (New York: Melville House, 2011).

NATARAJAN, Uttara (2005). “Circles of Sympathy: Shelley’s Hazlitt”, in Metaphysical Hazlitt: Bicentenary Essays, ed. Uttara Natarajan, Tom Paulin and Duncan Wu, London, Routledge, 112-122.

NICHOL, John (1880) Byron, London, Macmillan and Co.

NICOLSON, Harold (1924). Byron: The Last Journey, London, Constable and Company.

O’CONNELL, Mary (2014). Byron and John Murray: A Poet and His Publisher, Liverpool, Liverpool University Press.

PERA, Francesco (1867).  “Lord Byron” e “Shelley Percy Bysshe”, in Ricordi e biografie livornesi, Livorno, Vigo, 67-69 and 69-71.

QUENNELL, Peter (1951). Byron in Italy, London, Collins.

RAWES, Alan and SAGLIA, Diego [eds] (2017), Byron and Italy, Manchester, Manchester University Press.

REIMAN, Donald H. (1972) The Romantic Reviewed: Contemporary Reviews of British Romantic Writers – Part C: Shelley, Keats, and London Radical Writers, 2 vols, New York and London: Garland Publishing, Inc.)

ROE, Nicholas (2003). Leigh Hunt: Life, Poetics, Politics. London, Routledge.

ROE, Nicholas (2012). “Leigh Hunt, Charles Lamb and Virginia Woolf”, in Romantic Presences in the Twentieth Century, ed. Mark Sandy, Farnham, Ashgate, 13-26.

ROSSETTI ANGELI, Helen (1973). Shelley and His Friends in Italy, New York, Haskell House.

SCHOINA, Maria (2009). Romantic “Anglo-Italians.” Configurations of Identity in Byron, the Shelleys, and the Pisan Circle, Farnham and Burlington, Ashgate.

SHERIDAN, Claire (2013). “Anti-Social Sociability: Mary Shelley and the Posthumous ‘Pisa Gang’”, Studies in Romanticism, 52:3, 415-35. 

STEIER, Michael (2020). Byron, Hunt, and the Politics of Literary Engagement, Abingdon, Routledge.

STOCK, Paul (2010). The Byron-Shelley Circle and the Idea of Europe, London, Palgrave Macmillan.

SUNSTEIN, Emily W. (1989). Mary Shelley: Romance and Reality, Boston, Little, Brown and Company.

TRIBOLATI, Pietro, (1891). “Lord Byron a Pisa”, in Saggi critici e biografici, Pisa, Spoerri, 149-207.

TUITE, Clara (2019). “Lord Byron’s Preposterous Liberalism: Perversity, or The Fear That Pleases”, Occasion, 11, 1-17.

WEBB, Timothy (2008). “Arrival of Don Juan at Shooter’s Hill: The Politics of Romance”, in Lord Byron’s Correspondence(s), ed. Christiane Vigouroux, Paris, de Guibert, 175-217.

WEBB, Timothy (2014). “Catullus and the Missing Papers: Leigh Hunt, Byron, and John Murray”, in The Byron Journal 42:2, 111-22.

WOODHOUSE, David (2017). “The Dedication to Don Juan Re-Examined: Hazlitt – Wat Tyler – Don Giovanni”, in The Byron Journal, 45:2, 141-53.

WU, Duncan (2007 [revised version]). Talking Pimples: Byron and Hazlitt in Love, Nottingham, University of Nottingham Press.

WU, Duncan (2008). William Hazlitt: The First Modern Man, Oxford, Oxford University Press.

On the Context

ADDOBBATI, Andrea (2004). “La contessa Mastiani Brunacci e il suo salotto”, in L’Università di Napoleone. La riforma del sapere a Pisa, a cura di R. P. Coppini, A. Tosi e A. Volpi, Pisa, Edizioni Plus: 71-80.

BANDIERA, Laura and SAGLIA, Diego [eds] (2005). British Romanticism and Italian Literature: Translating, Reviewing, Rewriting, Amsterdam, Rodopi.

BATCHELOR, Jennie and POWELL, Manushag N. (2018). Women’s Periodicals and Print Culture in Britain, 1690–1820s: The Long Eighteenth Century, Edinburgh, Edinburgh University Press.

BOENING, John (2004). “The Unending Conversation: The Role of Periodicals in England and on the Continent during the Romantic Age”, in Nonfictional Romantic Prose: Expanding Borders, eds Steven. P. Sondru and Virgil Nemoianu, Amsterdam, John Benjamins, 285-302.

BOWERS, Will (2020). The Italian Idea: Anglo-Italian Radical Literary Culture, 1815-23, Cambridge, Cambridge University Press, especially 110-15, 168-82.

BRAKE, Laurel and DEMOOR, Marisa [eds] (2009). Dictionary of Nineteenth-Century Journalism in Great Britain and Ireland, Gent, Academia Press.

BRAND, Charles Peter (1957). Italy and the English Romantics: The Italianate Fashion in Early Nineteenth-Century England, Cambridge, Cambridge University Press.

BURWICK, Frederick (2019). A History of Romantic Literature, Chichester, Wiley-Blackwell.

CAVALIERO, Roderick (2005), Italia Romantica: English Romantics and Italian Freedom, London, Tauris.

CHURCHILL Kenneth (1980). Italy and English Literature 1767-1930, London, Macmillan.

COX, Jeffrey (1998). Poetry and Politics in the Cockney School, Cambridge, Cambridge University Press, especially 38-82, 187-89, 218-25.

COX, Jeffrey (2014). Romanticism in the Shadow of War: Literary Culture in the Napoleonic War Years, Cambridge, Cambridge University Press, especially 167-76, 191-94.

CRAIG, David M (2020). “Tories and the Language of ‘Liberalism’ in the 1820s”, in The English Historical Review, 135:576, 1195-1228.

CRONIN, Richard (1992). “Peter Bell, Peterloo, and the Politics of Cockney Poetry”, in Essays & Studies 1992 – Percy Bysshe Shelley, ed. Kelvin Everest, Cambridge, D.S. Brewer / English Association, 63-87.

CURRELI, Mario (1997). “Una certa Signora Mason”: Romantici inglesi a Pisa ai tempi di Leopardi, Pisa, ETS.

CURRELI, Mario (2005). Scrittori inglesi a Pisa: viaggi, sogni, visioni dal Trecento al Duemila, Pisa, ETS.

DART, Gregory (2003). “The Cockney Moment”, in The Cambridge Quarterly, 32:3, 203-23.

DEL VIVO, Caterina and PANATTONI, Rita [eds] (2009). Andrea Vaccà e Ridolfo Castinelli. La costruzione del Tempio di Minerva Medica a Montefoscoli, Pisa, ETS.

EASLEY, Alexis, KING, Andrew and MORTON, John [eds.] (2018). Researching the Nineteenth-Century Periodical Press, New York, Routledge.

ESTERHAMMER, Angela (2018). “The 1820s and Beyond”, in The Oxford Handbook of British Romanticism ed. David Duff, Oxford, Oxford University Press.

ESTERHAMMER, Angela (2020). Print and Performance in the 1820s: Improvisation, Speculation, Identity, Cambridge, Cambridge University Press.

FANG, Karen (2010). Romantic Writing and the Empire of Signs: Periodical Culture and Post-Napoleonic Authorship, Oxford, Oxford University Press.

FULFORD Tim (2008). Romantic Poetry and Literary Coteries: The Dialect of the Tribe, New York, Palgrave.

GABRIELE, Nicola (2013). “Tra ‘buona sociabilità’ e avanguardia patriottica: censura teatrale e costruzione del consenso in età risorgimentale”, in Memoria e ricerca 44, 25-42.

GRAHAM, Walter (1930). English Literary Periodicals, New York, Thomas Nelson & Sons.

HIGGINGS, David (2005). Romantic Genius and the Literary Magazine. Biography, Celebrity, Politics, Oxford and New York, Routledge.

JONES, Aled (2016). Powers of the Press: Newspapers, Power and the Public in Nineteenth-Century England, London, Routledge.

KING, Andrew, EASLEY, Alexis and MORTON, John [eds] (2016). The Routledge Handbook to Nineteenth-Century British Periodicals and Newspapers, New York, Routledge.

LEONHARD, Jörn (2004). “From European Liberalism to the Language of Liberalisms: The Semantics of Liberalism in European Comparison”, in Redescriptions: Yearbook of Political Thought and Conceptual History, 8, 17-51.

LEONHARD, Jörn (2012). “Translation as Cultural Transfer and Semantic Interaction: European Variations of Liberal between 1800 and 1830”, in Why Concepts Matter: Translating Social and Political Thought, ed. Martin. J. Burke and Melvin Richter, Leiden, Brill, 93-108.

LUZZI, Joseph (2022).  “Italy without Italians: Literary Origins of a Romantic Myth”, in MLN 117, 48-83.

LUZZI, Josheph (2008). Romantic Europe and the Ghost of Italy, New Haven, Yale University Press.

MEE, Jon and SANGSTER, Matthew [eds] (2023). Remediating the 1820s, Edinburgh, Edinburgh University Press.

NEWLYN, Lucy (2000). Reading, Writing and Romanticism, Oxford, Oxford University Press.

O’CONNOR, Maura (1998). The Romance of Italy and the English Imagination, New York, Palgrave Macmillan.

OWENSON, Sydney [Lady Morgan] (1821), Italy, 3 vols., Paris, A. and W. Galignani.

PARKER, Mark (2000). Literary Magazines and British Romanticism, Cambridge, Cambridge University Press.

PETTITT, Clare (2020). Serial Forms: The Unfinished Project of Modernity, 1815–1848, Oxford, Oxford University Press.

PIPER, Andrew and SACHS, Jonathan (2010). “Introduction: Romantic Cultures of Print – From Miscellaneity to Dialectic”, Romanticism and Victorianism on the Net, 57–58.

RAMSEY, Neil (2009). The Military Memoir and Romantic Literary Culture, 1780-1835, Farnham, Ashgate.

RAWES, Alan (2021). “Romanticism’s Tyrannical Revolutions: Alfieri, Byron, and the Shelleys”, European Romantic Review 32, pp. 123-44.

ROSINI, Giovanni (1826). Tributo di dolore e di lode alla memoria del Professore Andrea Vaccà Berlinghieri, Cav. del Merito, Pisa, Capurro.

SACHS, Jonathan (2018). The Poetics of Decline in British Romanticism, Cambridge, Cambridge University Press.

SAGLIA, Diego (2002). “Romantic Heterographies: Travel Writing and Writing the Self”, in Marble Wilderness: Motivi e relazioni di viaggi di Inglesi in Italia, ed. Mauro Pala, Cagliari, CUEC Editrice, pp. 15-40.

SAGLIA, Diego (2017). “British Romanticism and the Post-Napoleonic South: Writing Restoration Transnationally”, in Essays in Romanticism 24.2, 105-24.

SAGLIA, Diego (2019). European Literatures in Britain, 1815-1832: Romantic Translations, Cambridge, Cambridge University Press.

SÁNCHEZ, Juan L. (2019), “Robert Southey and the ‘British Liberales’”, in Romanticism, Reaction and Revolution: British Views on Spain, 1814-23, ed. Bernard Beatty and Alicia Laspra-Rodríguez, Oxford, Peter Lang, 43-70.

SCHOENFIELD, Mark (2009). British Periodicals and Romantic Identity: The “Literary Lower Empire”, London, Palgrave Macmillan.

SCHOR, Esther (2009). “The ‘warm south’”, in The Cambridge History of English Romantic Literature, ed. James Chandler, Cambridge, Cambridge University Press, 224-45.

SCRIVENER, Michael (2007). The Cosmopolitan Ideal in the Age of Revolution and Reaction, London, Pickering & Chatto, 201-14

SHATTOCK, Joanne and WOLFF, Michael (1982). The Victorian Periodical Press: Samplings and Soundings, Leicester, Leicester University Press.

SHELLEY, Mary (1826). “The English in Italy” (Review Article), The Westminster Review, 6, October, pp. 325-41.

ST. CLAIR, William (2007). The Reading Nation in the Romantic Period, Cambridge, Cambridge University Press.

STABLER, Jane (2013). The Artistry of Exile: Romantic and Victorian Writers in Italy, Oxford, Oxford University Press, especially 52-53, 102-11, 172-76, 194-206.

STAËL, Madame de (1985). Corinne ou l’Italie, ed. Simone Balayé, Paris, Gallimard.

STEWART, David (2011). Romantic Magazines and Metropolitan Literary Culture, Basingstoke, Palgrave Macmillan.

THORSLEV, Peter L. (1989). “Post-Waterloo Liberalism: The Second Generation”, in Studies in Romanticism, 28:3, 437-61. 

VACCÀ GIUSTI, Laura (1878). Andrea Vaccà e la sua famiglia: biografie e memorie raccolte da Laura Vaccà Giusti, Pisa, Mariotti.

VIGUS, James (2018). “Continental Romanticism in Britain”, in The Oxford Handbook of British Romanticism, ed. David Duff, Oxford, Oxford University Press, 691-706.

WHEATLEY, Kim (2013). Romantic Feuds: Transcending the “Age of Personality”, Farnham, Ashgate, especially 97-137.

WHEATLEY, Kim [ed] (2003). Romantic Periodicals and Print Culture, New York, Frank Cass.

WHIPPLE, Evangelina (1928). A Famous Corner of Tuscany, London, Jarrods.

WOODRING, Carl (1970). Politics in English Romantic Poetry, Cambridge, Harvard University Press.

ON SPECIFIC CONTRIBUTIONS

Byron

BEATTY, Bernard (2017). “Poetry, Politics and Prophecy: The Age of Bronze, The Vision of Judgment and The Prophecy of Dante”, in Byron: The Poetry of Politics and the Politics of Poetry, ed. Roderick Beaton and Christine Kenyon-Jones, Abingdon, Routledge, 93-104.

BEATY, Frederick (1985). Byron the Satirist, DeKalb, North Illinois University Press, 177-80 on The Blues; 180-95 on The Vision.

COCHRAN, Peter. Website edition of The Vision <https://petercochran.wordpress.com≥, under “Ottava Rima Poems”.

EARL, E. M. (1998) Byron and Southey: Vision of Judgment, Salzburg, U of Salzburg.

KELSALL, Malcolm (1987). Byron’s Politics, Brighton, Harvester Press, Chapter 5 on The Vision, 119-45.

NICHOLSON, Andrew [ed.] (1991). Lord Byron: Complete Miscellaneous Prose, Oxford, Clarendon Press, notes to his edition of “Letter to the Editor of ‘My Grandmother’s Review’”, 348-55.

PETERFREUND, Stuart (1979). “The Politics of Neutral Space in Byron’s Vision of Judgment”, in Modern Language Quarterly, 40, 275-91.

SAGLIA, Diego (2024). “’No such translation’: Il ‘Morgante’ di Byron tra Italia e Inghilterra, 1819-23”, in In principio era Pulci: studi sulla fortuna di Luigi Pulci in Italia e in Europa, ed. Gabriele Bucchi, Enea Pezzini e Giacomo Stanga, Pisa, ETS, 187-203.

SCHOCK, Peter (2001). “‘I will war, at least in words’: Byron and the Rhetoric of Opposition”, in Critical Perspectives on Lord Byron, ed. William D. Brewer, New York, Edwin Mellen Press, 95-120.

SHARKEY, Michael (2006). “Byron’s ‘Deluge’: Heaven and Earth”, in The Byron Journal, 34:1, 35-48. 

SIMPSON, Michael (1998). “Heaven and Earth and Its Improper Conjunctions”, in Closet Performances: Political Exhibition and Prohibition in the Dramas of Byron and Shelley, Stanford, Stanford University Press, 280-99.

TUITE, Clara (2015). “Bloody Castlereagh”, Lord Byron and Scandalous Celebrity, Cambridge, Cambridge University Press.

VAIL, Jeffrey W. (2001). The Literary Relationship of Lord Byron & Thomas Moore, Baltimore, John Hopkins University Press, Chapter 5 on Heaven on Earth in relation to The Loves of the Angels, 140-63.

VASSALLO, Peter (1984). Byron: The Italian Literary Influence, Basingstoke, Macmillan, Chapter 7 touches upon the Morgante translation, 140-65.

WARD, William S. (1949). “Lord Byron and ‘My Grandmother’s Review’”, Modern Language Notes, 64.1, pp. 25–29.

Hazlitt

COOK, Jon (2010). “Hazlitt and Ventriloquism”, in The Wordsworth Circle, 41:2, 104-9.

GILMARTIN, Kevin (2015). William Hazlitt: Political Essayist, Oxford, Oxford University Press, 206-10 for “My First Acquaintance”; 273-89 for “Spirit of Monarchy”.

HAYWOOD, Ian (2016). “Hazlitt and the Monarchy: Legitimacy, Radical Print Culture and Caricature”, in The Hazlitt Review, 9, 5-26.

JONES, Stanley (1985). “First Flight: Image and Theme in a Hazlitt Essay”, in Prose Studies, 8, 35-47.

LANSDOWN, Richard (2016). “The Idea of the Personal: ‘My First Acquaintance with Poets’”, in A New Scene of Thought: Studies in Romantic Realism, Leiden, Brill, 159-85.

PAULIN, Tom (1998). The Day-Star of Liberty: William Hazlitt’s Radical Style, London, Faber, 190-200 for “My First Acquaintance”.

ROBINSON, Jeffrey C (2000). “Hazlitt’s ‘My First Acquaintance with Poets’: The Autobiography of a Cultural Critic”, in Romanticism, 6:2, 178-94.

WOLFSON, Susan J. (2012). “First Acquaintance and ‘Quaint Allusion’”, in ELH, 79:2, 261-88.

The Hunts

MORRISON, Robert and EBERLE-SINATRA, Michael [gen. ed.] (2003). The Selected Writings of Leigh Hunt, 6 vols, London: Pickering & Chatto, see vol. 3, 1-6, 12 and 375-79 for Robert Morrison’s introduction and notes to Hunt’s “Preface”, “Rhyme and Reason” and “Advertisement to the Second Volume”; vol. 6, 1-2, 285-88 for John Strachan’s to “The Dogs”, “The Choice” and other minor pieces.

SCHOINA, Maria (2006). “Leigh Hunt’s ‘Letters from Abroad’ and the ‘Anglo-Italian’ Discourse of The Liberal”, Romanticism: The Journal of Romantic Culture and Criticism, 12.2, pp. 115–125.

STEIER, Michael (2019). “Byron and Hunt in Italy. The Art of The Liberal”, in Byron, Hunt, and the Poetics of Literary Engagement, New York, Routledge, 169-173 on “Florentine Lovers”, 174-78 on “Ariosto’s Episode…”, 178-84 on “The Dogs”, 196-200 on “The Choice” and “The Book of Beginnings”.

WEBB, Timothy (2004). “John Hunt”, in Oxford Dictionary of National Biography, gen. ed. Henry Colin Gray Matthews and Brian Harrison.

M.W. Shelley

CLEMIT, Patricia [ed.] (1996). Annotated editions of “Madame d’Houtetot” and “Giovanni Villiani”, in The Novels and Selected Works of Mary Shelley, 7 vols, gen. ed. Nora Crook, London, Pickering, 1996, vol. 2, 113, 117-46.

MORTON, Timothy (2003). “Mary Shelley as Cultural Critic”, in The Cambridge Companion to Mary Shelley, ed. Esther Schor, Cambridge, Cambridge University Press, 259-73.

ROBINSON, Charles E. (1976), “A Tale of the Passions”, in Mary Shelley: Collected Tales and Stories with original engravings, Baltimore, John Hopkins University Press, pp. 1-23.

VARGO, Lisa (2010). “Writing for The Liberal”, in Mary Shelley: Her Circle and Her Contemporaries, ed. L. Adam Mekler and Lucy Morrison, Newcastle, Cambridge Scholars, 131-49.

VARINELLI, Valentina (2020). “Mourning in Mary Shelley’s ‘The Choice’, and the Work of Editing”, ed. Antonella Braida, Mary Shelley and Europe: Essays in Honour of Jean de Palacio, Studies in Comparative Literature, 55, Cambridge, Legenda.

WOODHOUSE, David (2025). “‘Unread in the Human Heart’: Mary Shelley, ‘Madame d’Houtetot’ and The Liberal”, The Keats-Shelley Review, 39.2, pp. 72–89.

P.B. Shelley

BURWICK, Frederick. “Origins of Evil: Shelley, Goethe, Calderón, and Rousseau”, in The Oxford Handbook of Percy Bysshe Shelley, ed. Michael O’Neill and Anthony Howe, Oxford, Oxford University Press, 460-77.

CASTO, Robert C. (1975). “Shelley as Translator of Faust: The ‘Prologue’”, The Review of English Studies, n.s., 26.104, pp. 407–424.

NABUGODI, M. (2021). “The Contexts of Percy Bysshe Shelley’s Faust Translations”, Publications of the English Goethe Society, 90.1, pp. 31–52.

ROSSINGTON, M. (2018). “Creative Translation”, David Duff (ed.), The Oxford Handbook of British Romanticism, Oxford, Oxford University Press.

WEBB, Timothy (1976). The Violet in the Crucible: Shelley and Translation, Oxford, Clarendon Press, 142-203 on Shelley and Goethe, “May-Day Night”.

THE ROMANTICS IN ITALY – PLACES, PEOPLE, POLITICS

BACIGALUPO, Massimo (2017). Angloliguria. Da Byron a Hemingway. Genova, Il canneto editore.

BALDI, Rita (2009). L’Aquila Nera. Un palazzo simbolo della borghesia livornese, Livorno, Debatte.

BECCONE, Simona, BUGLIANI, Paolo, CHIANTELLI, Angelo and RONI Riccardo [eds] (2023), Percy Bysshe Shelley in contesto. Tra filosofia, storia e letteratura, Pisa, ETS.

BIAGI, Guido (1892). Gli ultimi giorni di P.B. Shelley, con nuovi documenti, disegni di V. Corcos e A. Formilli, Florence, G. Civelli; subsequently Gli ultimi giorni di Percy Bysshe Shelley con nuovi documenti, Florence, Editrice “La Voce”, 1922.

BURLAMACCHI, Maurizio (1969). Le antiche case del Bagno alla Villa in terra di Lucca, Firenze, Seeber.

CANUTO, Francesca (2015). Paesaggi, parchi e giardini nella storia di Livorno, Livorno, Debatte.

CAPUTO, Nicoletta (2022). “Con occhi britannici. Mary Shelley, Felicia Hemans e i moti rivoluzionari italiani del 1820-21”, in Lea, 11, pp. 61-78.

CARDUCCI, Giosuè (1893). “Presso l’urna di Percy Bysshe Shelley”, in Delle Odi barbare. Libri II ordinati e corretti, Libro II, Bologna, Zanichelli.

CHERUBINI, Bruno (1972). Bagni di Lucca fra cronaca e storia, Lucca, Pacini Fazzi.

CHERUBINI, Marcello e LANDUCCI Vittorio, [eds] (2011), L’esperienza di Michel de Montaigne ai Bagni della Villa, Bagni di Lucca, Fondazione Michel de Montaigne.

CIORLI, Riccardo (1986). Le ville di Montenero, Livorno, Il Gabbiano.

CIORLI, Riccardo (1995). Livorno. Storia di ville e palazzi, Pisa, Pacini.

COPPINI, Romano Paolo, TOSI, Alessandro, VOLPI, Alessandro [eds] (2004), L’Università di Napoleone: la riforma del sapere a Pisa, Pisa, Edizioni PLUS.

CRISAFULLI, Lilla Maria [ed.] (2002). Imagining Italy: Literary Itineraries in British Romanticism, Bologna, Clueb.

CURRELI, Mario (1998). “Il mito bugiardo del Golfo dei Poeti”, in Godwin Club Italia, 2:4, p. 7.

CURRELI, Mario (2004).  “Scrittori inglesi ai Bagni di San Giuliano”, in Passar le acque. Il sistema termale pisano, ed. Adriana Maria Giusti, Pontedera, Bandecchi & Vivaldi, pp. 19-30.

CURRELI, Mario (2004). “Golfo dei Poeti, lapidi bugiarde e altri miti”, in Soglie. Rivista Quadrimestrale di Poesia e Critica Letteraria, 6; 2, 19-44.

DEL VIVO, Caterina (2009). La “Bella Vaccà”, Leopoldo e Andrea. Sophie Caudeiron e i Vaccà Berlinghieri, Pisa, ETS.

DOMINI, Donatino [ed.] (2019). Dove visse Byron a Ravenna: Palazzo Guiccioli, a cura di Donatino Domini, Argelato, Minerva, 9-19.

FEO, Giuditta Moly (2006). Livorno nel Grand Tour. Guida ai luoghi letterari, Pisa, ETS.

FLEGO, Fabio (2015). “‘Straccato’ sulla spiaggia: Percy Bysshe Shelley a Viareggio”, in Anglistica Pisana, 12:1-2, 25-33.

FORNACIARI, Paolo [ed.] (2001), Percy Bysshe Shelley. Viareggio 1922, “luogo del Mito” – Il centenario del rogo di Shelley, Viareggio, Pezzini.

FORNACIARI, Patrizia (2001). “La vicenda del monumento a Shelley nella Versilia di fine ’800. Il mito romantico del poeta inglese, i nuovi valori dell’Italia postunitaria”, Quaderni di storia e cultura viareggina, 2, 35-48.

LIPPI, Adolfo (2002). Monumento a Shelley, Viareggio, Edizioni Luci del Porto, 2002.

PASOLINI, PIER PAOLO (2003), Le ceneri di Gramsci, in Tutte le poesie, ed. Walter Siti, Milano, Arnoldo Mondadori Editore.

PITE, Ralph (2004). “Shelley and Italy”, The Yearbook of English Studies, 34, pp. 46–60.

ROY, Ashley (2011). “Liguria, Italy: Gulf of Poets”, in World Literature Today, 85, 4, pp. 7–7.

STISTED, Elizabeth Clotilde (1845), Letters from the Bye-Ways of Italy, London, Murray.

Stürzl, Erwin A. (1988). A Love’s Eye View. Teresa Guiccioli’s La vie de Lord Byron en Italie, Salzburg, Institut für Anglistik und Amerikanistik Universität Salzburg.

VILLANI, Stefano (2010). “Il Grand Tour degli inglesi a Pisa (secoli XVII-XIX)”, in Le dimore di Pisa. L’arte di abitare i palazzi di una antica Repubblica Marinara dal Medioevo all’Unità d’Italia, ed. Emilia Daniele, Atti del Convegno di studi, Firenze, Alinea, 173-180.

SOME BACKGROUND TO 1820s REVOLUTIONS IN EUROPE

BANTI, Giorgio (2000). La nazione del Risorgimento. Parentela, santità e onore alle origini dell’Italia unita, Torino, Einaudi.

BEATON, Roderick (2021). The Greek Revolution of 1821 and its Global Significance, Athens, Aiora.

INNES, Joanna, and PHILP, Mark (2018). Re-Imagining Democracy in the Mediterranean, 1780-1860, Oxford, Oxford University Press. 

ISABELLA, Maurizio (2009). Risorgimento in Exile: Italian Émigrés and the Liberal International in the Post-Napoleonic Era, Oxford, Oxford University Press.

ISABELLA, Maurizio (2013). Southern Europe in the Age of Revolutions, Princeton, Princeton University Press.

ISABELLA, Maurizio and ZANOU, Konstantina [eds] (2016). Mediterranean Diasporas: Politics and Ideas in the Long 19th Century, London, Bloomsbury.

ST CLAIR, William (1972). That Greece Might Still Be Free: The Philhellenes in the War of Independence, Cambridge, Open Book Publishers, 2008, revised ed. with an introduction by Roderick Beaton.

STITES, Richard (2014). The Four Horsemen: Riding to Liberty in Post-Napoleonic Europe, Oxford: Oxford University Press.

ZANOU, Konstantina (2018). Transnational Patriotism in the Mediterranean, 1800-1850: Stammering the Nation, Oxford, Oxford University Press.

WHIG, LIBERAL AND RADICAL STRANDS: SOME LITERARY BACKGROUND

BUTLER, Marylin (1981). Romantics, Rebels and Reactionaries. English Literature and its Background, Oxford and New York, Oxford University Press.

CHITTICK, Kathryn (2010). Language of Whiggism: Liberty and Patriotism, 1802-1830, London, Pickering & Chatto.

CRANE, Brinton (1962). The Political Ideas of the English Romanticists, New York, Russell & Russell.

CRONIN, Richard (2000). The Politics of Romantic Poetry: In Search of the Pure Commonwealth, Basingstoke, Macmillan.

CRONIN, Richard (2010). Paper Pellets: British Literary Culture after Waterloo, Oxford, Oxford University Press.

GARDNER, John (2011). Poetry and Popular Protest: Peterloo, Cato Street and the Queen Caroline Controversy, Basingstoke, Palgrave Macmillan.

GILMARTIN, Kevin (1996). Print Politics: The Press and Radical Opposition in Early-Nineteenth Century England, Cambridge, Cambridge University Press.

GRANDE, James (2014). William Cobbett, the Press and Rural England: Radicalism and the Fourth Estate, 1792-1835, Basingstoke, Palgrave Macmillan.

HALÉVY, ÉLIE (1949). A History of the English People in the Nineteenth Century: The Liberal Awakening 1815-1830, Vol. 2, London, E. Benn.

HAYWOOD, Ian (2004). The Revolution in Popular Literature: Print, Politics and the People, 1790-1860. Cambridge, Cambridge University Press.

HAYWOOD, Ian (2005). “Radical Journalism”, in Romantic Period Writings 1798–1832: An Anthology, London, Routledge.

HAYWOOD, Ian (2006). Bloody Romanticism: Spectacular. Violence and the Politics of Representation, 1776–1832, Basingstoke, Palgrave Macmillan.

HAYWOOD, Ian and SEED, John [eds] (2012). The Gordon Riots: Politics, Culture and Insurrection in Late Eighteenth-Century Britain Cambridge, Cambridge University Press.

JAMES, Felicity (2021). “Christianity: Protestant Dissent”, in The Cambridge Companion to British Romanticism and Religion, ed. Jeffrey W. Barbeau, Cambridge, Cambridge University Press, 2021, 31-49.

SCRIVENER, Michael (1992). Poetry and Reform: Periodical Verse from the English Democratic Press, 1792–1824, Detroit, Wayne State University Press.

STRACHAN, John (2011). Advertising and satirical culture in the Romantic period. Cambridge, Cambridge University Press.

STRACHAN, John [ed.] (2003). British satire, 1785-1840. London, Pickering and Chatto, (5 vols).

STRACHAN, John and STONES, Graeme [eds] (1998). Parodies of the Romantic age: poetry of the anti-Jacobin and other parodic writings. London, Pickering and Chatto.

THOMAS, William (1979). The Philosophic Radicals: Nine Studies in Theory and Practice, 1817-1841, Oxford, Clarendon Press.

VERDINO, Stefano (2012). Genova reazionaria. Una storia culturale della Restaurazione, Novara, Interlinea.